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Maurice RavelImpressionist (1928)

Boléro Solo (High Range Agility)

Boléro (1928) — Notoriously treacherous high D-flat (Db5) solo requiring supreme embouchure endurance, flexible slurs, and Spanish bravura.

Tenor ClefC Major / D-flat Major3/4 | Tempo di Bolero (♩ = 66-72)Audition Tier:★★★★★
Real-Time Slide Position Monitor · Click Any Note to Audition
Standby ReadyPosition 1
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🎼 Interactive Sheet Music & Slide Position Strip

Click any notehead on the staff to hear pitch and inspect slide position

C4=L4Std Pos:Alt / F-Valve:Pitch Offset:♭Bb3P1—0cC4P3—0c♭Db4P2—0cF4P1—0c♭Bb4P1—0c♭Db5P2Alt 50cC5P3—0c♭Bb4P1—0c
Click any note button or staff notehead to audition pitch and inspect slide position:
8 notes in phrase

Alternate Slide Positions & Legato Route Strategy

Execute high Db5 in sharp 5th position or 2nd position (6th harmonic). Alternate 1st/3rd positions efficiently to avoid long hand jumps.

Orchestral Audition Jury Checklist

Verify each criterion during slow practice before bringing the excerpt up to concert tempo:

Secure pitch placement on the high Db5 and C5
Smooth half-step slide adjustments without pitch drop
Rhythmic precision of sixteenth notes against strict snare ostinato
Sultry, teasing jazz-infused articulation (sweet and expressive)

Historical Context & Performance Tradition

Originally written for French narrow-bore trombonists with light instruments, performing this on modern large-bore symphonic horns requires immense airflow speed.

Era: Impressionist (1928) | From: Boléro (1928)

Recommended Bore, Bell & Mouthpiece Setup

Yamaha Xeno YSL-882GO or Conn 88H with shallow mouthpiece cup (Bach 6-1/2AL or Schilke 51D).

Orchestral Audition & Slide Kinematics Matrix

Measure-by-measure jury evaluation points, alternate slide routes, and conservatory audition benchmarks.

Section & MeasuresClef & Pitch RangeAudition Jury Evaluation FocusAlternate Slide & Acoustic StrategyOrchestral Audition Standard
Rehearsal 10 to 11 (Famous High Register Solo)Tenor Clef · C3 – Db5Razor-thin high register security up to Db5. Sensual Spanish glissando without crude slur breaks.High Db5 played on raised 2nd position (+2nd); take C5 on 3rd position; C#5 on 5th position.The ultimate audition nightmare piece. Tested by Chicago Symphony, Boston Symphony, and Orchestre de Paris.
Rehearsal 11 (Cadential Glissando & High E-flat)Tenor Clef · F3 – Eb5Dynamic restraint in piano dynamic while keeping projection. Ultra-fast cold airflow support.True physical slide glissando from 5th to 2nd position on upper partial.Principal Trombone final round worldwide.