Professional Conservatory / Audition LevelE-flat Major (3 flats)4/4 · Allegro maestoso (♩ = 104-112)

Ferdinand David Trombone Concertino in E-flat Major, Op. 4 - Allegro Maestoso

Ferdinand David (1810-1873)
·Early Romantic Era (Leipzig, 1837)
Opening Theme Notation & Slide Position Map

Interactive Theme Study Strip (Clef Switcher & Alt Positions)

IMSLP Public Domain Score
🎼 Interactive Sheet Music & Slide Position Strip

Click any notehead on the staff to hear pitch and inspect slide position

C4=L4Std Pos:Alt / F-Valve:Pitch Offset:♭Bb3P1—0c♭Eb4P3—+2cG4P4Alt 20c♭Bb4P1Alt 30cG4P4Alt 20c♭Eb4P3—+2cF4P1Alt 4+2cD4P1Alt 4-14c (1-)♭Eb4P3—+2c

Acoustic & Technical Masterclass Matrix

Measure-by-measure breakdown of range, tempo, acoustic prescription, and alternate slide routes.

Section & MeasuresPitch Range & Slide SpanMeter & TempoAcoustic & Practice PrescriptionAlternate Slide Strategy
mm. 1–16 (First Theme: Allegro Maestoso)F3 – Bb4 (Pos 1–6)4/4 · ♩ = 104Commanding heroic attacks with firm core air support. Keep soft palate raised and avoid excessive rim pressure on high Bb4.Use standard 4th position (+2c) or raised 1st (#1st, +1.5cm in) for high D4 to avoid jarring 1st-to-6th arm lunges.
mm. 25–48 (Cantabile Second Theme)Bb2 – G4 (Pos 1–5)4/4 · ♩ = 96Vocal singing legato style. Combine subtle "Dah" tongue stroke with rapid wrist glides to eliminate scoop glissandos.Play G4 in dead-on 4th position (8th partial, 0c) instead of flat 2nd position (-31c) when moving from F4.
mm. 65–92 (Development Arpeggio Cadenza)Eb3 – C5 (Pos 1–5)4/4 · ♩ = 108High-speed cold airstream direction. Anchor embouchure corners firmly while tongue tip stays low and agile.Take high C5 in raised/sharp 3rd position (#3rd, pushed in ~1.5cm for -14c 10th partial) when approaching from Bb4 (1st).
mm. 120–145 (Recapitulation & Coda)Bb1 – Bb4 (Pos 1–6 + F-Trigger)4/4 · ♩ = 112Broad orchestral bell resonance. Full diaphragmatic breath expansion before the climactic sustained fortissimo chord.Engage F-attachment (+F 1st) on low F2 to keep right hand in upper slide quadrant ready for final rush.

Historical Context

Commissioned under Mendelssohn's encouragement for Leipzig Gewandhaus principal trombonist Karl Traugott Queisser in 1837, this landmark work established the trombone as a formidable romantic solo instrument.

Audition Significance

Mandatory Round 1 solo for Berlin Philharmonic and Chicago Symphony auditions. Evaluates clean Bb4/C5 attacks at mm. 1–16, athletic slide control across arpeggios, and instant tenor clef literacy without pencil marks.

Pedagogical Focus Areas

Seamless real-time sight-reading across Bass and Tenor clefsHigh register stability and centered resonance on G4, Bb4, and C5Short-slide strategy utilizing 4th and 5th alternate positions for rapid arpeggiosSinging romantic cantabile without glissando artifacts

4-Step Masterclass Practice Routine

1

Rhythmic Subdivision & Slow Articulation

Practice core motifs at ♩=68 with a metronome to align slide stops with clean tongue attacks.

2

Alternate Slide Position Mapping

Mark 4th and 5th alternate positions in upper-register passages to minimize right-arm travel distance.

3

Intonation Check with Reference Drone

Sustain key tonic and dominant notes against a 440/442Hz reference drone before full-tempo runs.

IMSLP Public Domain Score & Printable Slide Reference

Access the complete public-domain solo & piano accompaniment editions on IMSLP, or open our interactive slide position chart.

Frequently Asked Questions

Q:How do I secure the high Bb4 attacks in David Concertino without cracking?
Avoid excessive mouthpiece pressure. Practice buzzing the pitch on the mouthpiece alone using a 2:1 upper-to-lower lip ratio (2/3 upper lip, 1/3 lower lip), ensuring fast cold airflow from the diaphragm.
Q:Should I play David Concertino on a small-bore or large-bore trombone?
A .547" large-bore symphonic tenor trombone (such as Bach 42B or Yamaha Xeno) is the modern gold standard for full orchestral projection and core resonance.